Katie Jarvis' cold and unappreciative style is spot on for the protagonist and as the film goes through hard fights with families and spending time isolated in a deserted flat, we see the emotional desire of Mia. Everything is as it should be because everything has been so carefully planned, in particular the character development which will have many shedding a tear or two. Added as an attempt to justify the rural scene of Britain, Arnold gets it spot on as everything flows with little adjustment required. The language will give Pulp Fiction a run for its money. As if you had been slapped, this will instantly startle you into realizing the type of environment and lifestyle Mia is living in. The opening sequence follows Mia around the streets, slurring and shouting abuse at anyone in her radar and the coarse dialogue and minimal amount of sympathy is staggering. From Trainspotting to This is England there are always issues of realism and points to convey and with this 2009 appraised release we see more hard drama. ![]() British cinema is some of the most dramatic and flinching cinema in the world. Fish tank is an exceptional artistic creation, based on the purity of Andrea Arnold's script and appreciative direction whilst a debuting Katie Jarvis excels as the troubled isolated teenager, and what a feature this is. Friendless and unloved Mia (Jarvis) dreams of becoming a dancer and when her mum's new boyfriend arrives on the scene, everything changes for the teenager.
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